Ready-to-shoot full cinema production package with sound and Blackmagic Pocket Cinema Camera 4K B-camera.
See the package ↓Full equipment list
ARRI ALEXA 35 XTREME Premium Production Set
Premium License · 19mm production configuration · ARRI LPL mount with LBUS · PL-to-LPL adapter · MVF-2 HDR viewfinder · CCM-1 camera control monitor · Motorized internal ND · PDM-1 and BUD-1
Meike full-frame PL prime set
24mm T2.1 · 35mm T2.1 · 50mm T2.1 · 85mm T2.1 · ARRI LMB 4×5 Pro matte box · Rotating and fixed filter stages · Swing-away arm, flags, and five trays · 62–143mm flexible donut
Built for full production days
2× 1TB Codex Compact Drives · 1× 2TB Codex Compact Drive · Codex USB-C reader · 4× Anton/Bauer 26V 240Wh batteries · LP4 Quad GM+ charger · B-Mount battery adapter · S35 power plate · 24V power supply
A production-ready camera department
Tilta Nucleus-M II Ultimate Kit · Cartoni Focus 22 Cine tripod · ARRI top, side, and bottom support sets · Four 19mm support rods · LBUS integration · Camera power and control cabling · Innerspace production case
On-camera and off-camera viewing
Hollyland Mars 4K wireless video · Elvid 7-inch production monitor · CCM-1 camera control monitor · Six NP-F batteries · NP-F multi-battery charging · Flexible director and client monitoring
Compact dual-system audio package
Zoom F6 field recorder · 2× Sennheiser wireless lavalier systems · RØDE NTG+ shotgun microphone · Boom-ready dialogue capture · Multitrack field recording
A compact second-camera option
Blackmagic Pocket Cinema Camera 4K · Sigma 18–35mm f/1.8 lens · NP-F power ecosystem · Compact support for alternate angles and tight spaces
The same team can carry the work through delivery
Adobe Premiere Pro editing · DaVinci Resolve color and finishing · iZotope RX 11 audio repair · Editorial, color, sound cleanup, and final exports
The package can travel as a focused camera unit or become the center of a larger McGhie Productions crew. The scope changes. The standard does not.
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